Tuesday, 16 February 2010

evelyne axell

'Le retour de Tarzan 1970'

'Transparence 1967'

'Erotomobile 1966'

When Axell began to assert her painting talents, young people all over the globe were living in a world of Pop. Her seven years of painting took place against the background of the great period of cultural globalisation of the sixties and its culminating events.

From the beginning, Axell painted in fiat tint, and cut out stylised shapes in the fabric which she then superimposed on backgrounds reflecting the influence of Op Art. As though in a premonition of the future, the car is a recurrent theme.

It was through the body of the woman, and primarily her own, that Axell conveyed to us the breath of life which animated the whole of her pictorial career. As early as 1966, the originality of her style was clearly asserted. Without hesitation or repentance, the artist imposes her definition of the image froni the outset, in the midst of the expansive phase of the consumer society. She is determined to show us that a woman's body is not a consumer good.

'Auto stop 1966'

'Axell-ération 1965'

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